I know absolutely nobody who would read this gives a shit about KISS, but I felt the urge to rant.
KISS is now Paul Stanley and Gene Simmons, plus fairly new additions Tommy Thayer and Eric Singer basically masquerading as Ace Frehley and Peter Criss, respectively. They don't go out and call Tommy and Eric Ace and Peter, but they don't really make an effort to establish them as separate. Some people go to KISS shows still thinking they're seeing Ace and Peter. But that's not the case. I wish they had done seperate makeups like they did for Vinnie Vincent and Eric Carr, or just went without the makeup. And now they're talking about doing a new album with this lineup. But I digress.
The current lineup, with the new "Space Ace" and "Catman", re-recorded a bunch of classic KISS hits for a Japan-only release called Jigoku-Retsuden. I've been listening to them, and I feel like ranting about the various songs. Lol. So get ready.
DEUCE - Far inferior to the original. Eric's drums do not sound nearly as good as Peter's. Gene's got something very weird going on with his bass tone, it's kinda annoying. I can't really put my finger on what it is, but it bothers me a bit. Solos are kinda like Ace's, but bastardized somewhat (it's slower and seems simplified in places - how can you simplify an Ace Frehley solo?).The song has been made slower, can't see any real reason for that. Sure, they're old, but it wasn't a lightning-speed song to begin with. I can say the guitar tone doesn't suck, and Gene sounds pretty good. But overall I dislike this song.
DETROIT ROCK CITY - Gene's bass tone bothers me on this one as well; whatever's happening on Deuce happens here as well. But from what I'm hearing, it's not too bad. Eric is a lot better on this one. Paul sounds pretty good. I think this is slowed down slightly too, but not as much as Deuce. Not bothersome. Solo's exactly the same. It's not bad, but if it ain't broke, don't fix it. No reason to re-record perfectly good stuff.
I WAS MADE FOR LOVIN' YOU - Definitely something they shouldn't have touched. Paul can't hit some of the notes anymore, and while it was a decent song, it was very disco-ish. Just not classic KISS, which they're apparently going for nowadays. But this version just sounds like what the whole album probably is - a half-assed attempt to cash in. Maybe it's because it's slower and Paul can't sing it like he used to. Maybe it's because now that Paul can't do it as well, it needs to be experienced live because KISS's live show is and has always been a huge part of the experience. I've heard it live recently, didn't sound too bad. They usually give it more of a hard rock feel. This lacks that, so it's just the same exact song, but it's made much worse by the band's current limitations.
SHOUT IT OUT LOUD - Immediately this version of this song strikes me as missing something huge. Once again, I can't put my finger on what it is, but the intro is completely disappointing. It sounds empty. The original recording of this song is, to me at least, as anthemic as they intended (they wanted to re-create what they accomplished with Rock And Roll All Nite - creating a rock and roll anthem. actually, they failed [nobody knows this song, everybody knows RnRAN], but I love the original version of this song; in my opinion they should've succeeded). Maybe it was something Bob Ezrin added in some way, maybe it was just Ace and Peter, maybe it was something else. Sounds like a pretty poor KISS cover band. Gene doesn't sound as good on this song, Paul's alright. The instruments are boring - definitely sounding like a bad cover band. That's kinda bad when these new guys are clearly supposed to emulate Ace and Peter. More disappointing than I Was Made for Lovin' You.
HEAVEN'S ON FIRE - Seems downtuned. That's the first thing I noticed. Sounds alright, just definitely seems like another case of "if it ain't broke, don't fix it". I can't really complain other than that. Solo's no different, so really, why re-record it if nothing's changed aside from the ability of the band to play it?
CHRISTINE SIXTEEN - Oh God. Terrible piano. The bass sounds off in the intro. Gene sounds alright, but re-recording this song really took a lot of the awesomeness out of it. Love the original. This is kinda like Shout it Out Loud but not as bad, sounding like a cover band. The spoken interlude and solo are pretty good (if boring because they're exactly the same), but again, why re-record it when there was nothing wrong with the original? And the intro was HEAVILY botched. Ugh. I felt slightly sick when I heard it, no lie.
Time for Black Diamond. I hope they didn't fuck this up.
BLACK DIAMOND - Paul sounds weird. Otherwise, so far so okay. Not gonna say good yet. Instruments sound good. They actually kinda changed this up a bit rather than doing a barebones re-recording. Peter's vocals were far superior. Actually quite good compared to the other stuff on this album, but Peter Criss' vocal performance absolutely cannot be reproduced. Thank God, they didn't screw this up too badly. I'm gonna just stop saying it though, after this final time: Why fix it when it clearly ain't broke?
ROCK AND ROLL ALL NITE - Definitely another that sounds like a cover band. Not terrible however. Eric's drum intro did not impress me at all. This version lacks the solo. Highly disappointing. Definitely a pointless rerecording.
DO YOU LOVE ME - Poor drum intro again. Not impressed with Paul's vocals either. Or the guitars or bass. Gene's got that tone issue again. Another cover band-sounding song. But not as bad as Shout It Out Loud. Pretty meh.
FOREVER - Not too familiar with this song, so I can't really comment.
I LOVE IT LOUD - Eric Singer's drums are far inferior again, but this time to Eric Carr's. Not as good as the original. But pretty good compared to the other stuff on the album. Gene's vocals sound good. But again, pointless.
LICK IT UP - I used to hate this song, but it's grown on me. This is definitely another song that sounds like a poor cover band, aside from the vocals. Not as bad as Shout it Out Loud, though. I dunno if they can out-suck that one.
LOVE GUN - Sounding like another barebones re-recording. More like Heaven's on Fire, Detroit or IWMFLY, in that it's just the same exact song, made slightly worse by the band's present limitations. Gotta hear the solo to give this a final verdict though. Not liking Eric's drums too much here. As simple as the solo for this song is, I love it. Here's it's slower, but exactly the same. And it sounds like at times, Tommy experimented with some harmonies in the solo, that didn't sound too great. Particularly the first harmony, it's pointless and random. But yeah, mediocre re-recording by KISS almost 40 years into their career.
CALLING DR. LOVE - Sounding like another mediocre re-recording. Gene's vocals are decent, but not great. Eric's cowbell sounds weird, and his drumming doesn't have the soul or the groove that Peter's did. I dunno exactly how to describe it, I guess that conveys it okay.. They sound more mechanical, like using a drum machine or something. Left in the cool hi-hat thing Peter did, but it sounds too perfect. Lol. As does Gene's vocals, as a matter of fact. Solo's alright. Slightly different, seems simplified again. Another of those mediocre re-recordings.
HOTTER THAN HELL - Again, I dislike Eric's drumming. Paul's alright, sounds like another mediocre re-recording. But the original sounded gritty, this sounds too produced. I suppose it could be re-done to sound better without sounding overproduced, but they didn't do it here. Or maybe the song just benefits from its imperfections. I dunno. On one hand, it sounds a bit too perfect, but other parts of the song are pretty good. Definitely not one of the worst on the album, but far from the best. Despite not downtuning, it sounded like it was a bit high for Paul to comfortably do. I dunno. Pointless.
So that's it. The big question I have for KISS here is... "Why?" But then I realize it's, you know, Gene Simmons' band, and Gene Simmons is a money hungry bastard. So yeah. It's pretty much to cash in. Entirely pointless - Why fix it if it ain't broke? None of the songs improved on the originals at all. Some sounded like pretty bad cover bands. High points? Black Diamond was pretty damn good, but it was hindered by the lack of Ace, and especially Peter. Heaven's On Fire was probably the closest to the original of all the songs, which could be good or bad, I'm not sure. Detroit wasn't bad. Low points? Shout it Out Loud. Christine Sixteen. I Was Made for Lovin' You.
Eric Singer is not a bad drummer, but he did not perform well on this CD in most cases. Gene had that strange tone to his bass a lot. I'd say Gene's vocals were the best on the CD. Tommy did nothing to make his guitar sound any different from Ace's, aside from some slight differences in tone (a lot of the tone is in the hands of the guitarist and how they play; as much as Tommy tries to emulate Ace - and he does - he can't do it exactly). Most of the solos were completely unchanged, some were slightly simplified. Black Diamond was changed up a bit, as was Love Gun (even less so), and a bit was added to Hotter Than Hell.
I could see re-recordings as not so pointless sometimes. Take Streetlight Manifesto's "Keasbey Nights" for example. Tomas Kalnoky wasn't happy with how it turned out with Catch-22, so he did it later with his new band, with better resources and production and whatnot. I believe Kirk Hammett has expressed slight interest in re-recording Kill 'Em All to fix some out-of-tune bends and whatnot. However, I'm pretty sure they wouldn't touch Cliff Burton's stuff now that he's dead.
But this re-recording was totally pointless. Basically it probably happened like this.
Gene: "Hmm... How can I make more money today? Hey Paul, let's re-record all the classics and sell it in Japan."
Paul: "Uh, I don't know, Gene, I'm pretty busy painting circles and stars, but hey, why not, Gene?"
Gene: "Good. You know, Paul, while you're here in your stupid makeup, uh, why don't you pick up my fucking dry cleaning and get me a sandwich?"
Paul: "You got it, Gene!"
I dunno... Just why, KISS? Why bother re-recording all of this when no possible improvement could be made? Stupid.